Little is known and little is told of the final step of a man’s life. As the shortest and most mysterious one.
Strength decreases and a disarming fatigue takes over men. Death is so close that it is not considered anymore, it becomes invisible like the objects we know too well.
“Nå” is a new voice in modern cinema, the title is already a statement of “presence”, being in the moment.
The film is profoundly connected with time, and ask the audience to be active participants of the cinema screening.
This daring approach to cinema, is a natural reaction of the Author in opposition to the fast phase modern storytelling.
Nå is a form a rediscovery of Images and Sound, is harmony between the filmmaking grammar and the story content.